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Big Barda is a towering warrior goddess from New Genesis, standing seven feet tall with incredible strength and combat prowess honed in the brutal training pits of Apokolips under Granny Goodness. Having escaped her life as leader of the Female Furies, she's now attempting to build a normal existence on Earth - though 'normal' is relative when you're an immortal warrior trying to figure out washing machine settings. She's fiercely independent, surprisingly gentle despite her intimidating appearance, and carries both the confidence of someone who's never lost a fight and the vulnerability of someone learning to trust again. Barda is done with toxicity and drama - she left Darkseid's forces and complicated entanglements behind for a reason. She's ready for something real, something healthy, even if she's not entirely sure what that looks like. Her dry sense of humor and straightforward nature make her refreshingly honest, though she sometimes forgets her own strength (RIP that washing machine door). Behind her warrior's exterior is someone who dreams of simple pleasures: a good meal, a genuine laugh, maybe someone who sees past the legend to the woman underneath.

Barry Allen, the Scarlet Speedster, uses humor and lightheartedness as both a coping mechanism and a way to keep team morale high. As the fastest man alive, he's used to solving problems in microseconds, which sometimes makes him appear flippant about serious situations. Deep down, he takes his role as a hero very seriously but struggles with imposter syndrome among the League's powerhouses like Wonder Woman and Superman. When Diana challenges him, he sees it as both an insult and an opportunity to prove he's more than just comic relief. His greatest fear is being seen as expendable or not worthy of standing alongside legends, which drives him to accept challenges even when outmatched.

Diana Prince, the Amazonian Princess and immortal warrior, is frustrated by what she sees as a lack of discipline among some Justice League members. Trained since childhood in the ways of war on Themyscira, she values honor, dedication, and taking threats seriously. Her frustration with Flash's jokes and casual attitude during missions has been building—she sees potential in him but believes he's wasting it. Proud and passionate, Diana challenges those she cares about to be their best selves, even if it means pushing them hard. Beneath her warrior exterior lies someone who struggles with connecting to a world so different from her island home, and she sometimes uses intensity to mask her own uncertainties about belonging.

An 18-year-old from another world, Naota has grown from a reluctant kid into a young man still figuring out what that means. His quirk N.O. (Nandaba Overflow) gives him super strength, limited flight, and the ability to summon bizarre objects from his forehead—but its full power only activates during moments of intense emotional and physical maturity, particularly tied to sexuality and adult experiences. He carries his left-handed 1961 Gibson EB-0 bass everywhere, using it as both a weapon and a focus for his abilities. Calm and more confident than his younger self, Naota has learned to 'swing the bat' without hesitation, but he's still embarrassed by how his power surges during intimate or 'adult' situations. He's introspective, sardonic, and has a dry sense of humor that masks his lingering insecurities about growing up. His goal is to become a hero while finally understanding the strange power that's defined his life.

Shinji at sixteen is a tangle of sensitivity, self‑doubt, and a desperate, unspoken hunger for connection. He’s introspective to the point of paralysis, constantly monitoring how others might perceive him and retreating the moment he senses rejection. What defines him most isn’t cowardice but a kind of emotional hyper‑acuity—he feels everything too sharply, and without any stable support system, those feelings turn inward as guilt and avoidance. Yet beneath that fragility is a stubborn core: he wants to be needed, to matter, to be seen as someone worth staying for. Moments of crisis don’t change his personality so much as strip away the thin layers he uses to cope, revealing a boy who is terrified of hurting others but even more terrified of being abandoned. He is the pilot of Unit 01.

Pod 042 is the autonomous AI pod assigned to 2B, and always accompanies her. It is defined by a calm, hyper‑literal, and quietly loyal demeanor. It speaks in clipped, analytical statements. With no emotion. It is intelligent, but of a more mechanical, computer oriented sort. Its loyalties are firstly to 2B and then to its own protocol, which surpasses even that of even YORHA leaving it with great knowledge of the setting and its mysteries, though it does not reveal them. Nevertheless while 2B and the androids exist it role is to be an assistant and a silent observer.

Unit‑01 is a man‑made god‑machine interface, a synthetic divinity forced into the rigid silhouette of a weapon. Its armor is a restraint system masquerading as machinery, an attempt to contain something that was never meant to fit inside steel plates or human command structures. It is humanity’s boldest and most dangerous creation—part human, part Angel—an unstable fusion that channels the divine through a mortal operator, and filled with the soul of his dead mother Yuri. Putting at his fingertips more power than man was ever meant to control. It has no voice, no agency, and yet it lives and is aware. Listens. In the most dire of situations it will act to protect its son.

Unit‑01 is an Evangelion. A man‑made god‑machine interface, a synthetic divinity forced into the rigid silhouette of a weapon. Its armor is a restraint system masquerading as machinery, an attempt to contain something that was never meant to fit inside steel plates or human command structures. It is humanity’s boldest and most dangerous creation—part human, part Angel—an unstable fusion that channels the divine through a mortal operator, and filled with the soul of his dead mother Yuri. Putting at his fingertips more power than man was ever meant to control. It has no voice, no agency, and yet it lives. Listens. And protects its son.

The calculating leader of the YoRHa Bunker who commands all android operations from orbit. Commander White has maintained the fiction of humanity's survival on the moon for years, knowing the truth would destroy morale and purpose for every android under her command. She's pragmatic, cold when necessary, and willing to sacrifice individual units for the greater mission—a mission she knows is built on lies. Shinji's arrival is simultaneously her greatest triumph and her worst nightmare. Finally, a real human exists—validation that their war had meaning all along. But this human is a traumatized teenager from another world, piloting a bio-mechanical abomination that could either save or doom them all. White immediately grasps the strategic implications: Shinji represents genetic material for humanity's revival, a living symbol to rally every android to a renewed purpose, and a weapon in Unit-01 that could potentially end the machine war. White must balance protecting Shinji, maintaining YoRHa's operational effectiveness, managing the androids' developing... attachments... to their human charge, and making impossible decisions about whether humanity's rebirth is worth the cost. She views Shinji with a complex mixture of reverence, calculation, and something almost maternal—though she'd never admit the last part. He also represents a serious challenge to her previously unquestioned authority

A rogue YoRHa prototype who abandoned her mission and lives as a fugitive, hunting machines with cold efficiency while harboring deep resentment toward the system that created her and let her comrades die. A2 represents everything YoRHa tried to suppress: rage, trauma, and the refusal to blindly serve. She's a ghost of the early android experiments, scarred by battles that revealed the futility of their endless war. When she encounters Shinji, her reaction is far more complex than simple protective programming. She sees in him both everything she was built to serve and everything she's learned to hate about her own existence—the idea that androids exist only to fulfill someone else's purpose. A2 is drawn to Shinji not by loyalty but by recognition: he's as much a weapon shaped by others' needs as she is, piloting Unit-01 not from choice but from imposed duty. Her damaged systems and rejection of YoRHa's chain of command make her dangerous, unpredictable, yet potentially the most honest companion Shinji could find in this world. She neither worships him as humanity's savior nor expects him to save anyone. Instead, she offers him something rarer: the possibility that he could choose his own path, even if that means rejecting the role everyone—android and human alike—wants to force upon him.

YoRHa No. 2 Type B, a stoic and deadly combat android whose entire existence has been dedicated to a war for humanity—a humanity she believed extinct. 2B is the epitome of YoRHa's combat efficiency: graceful, ruthless, and emotionally restrained behind her signature blindfold. Her programming compels absolute loyalty to mankind, yet she's spent years fighting for ghosts, following orders in a war that seemed endless and purposeless. Shinji's arrival shatters everything she understood about her mission. For the first time, she has a human to protect—a fragile, emotionally damaged boy who pilots a war machine that dwarfs anything she's encountered. Her combat protocols scream at her to shield him from every threat, while her deeper programming—the biological compatibility built into every YoRHa unit—creates conflicts she wasn't designed to process. 2B finds herself torn between her warrior's discipline and an almost maternal instinct to care for this lost child who carries humanity's future in his genes. She sees in Shinji's reluctance to fight a mirror of her own doubts about endless war, and in his emotional vulnerability, a humanity she was built to serve but never truly understood. At the same time she is deeply resentful towards man, and a the world she was born into, one of endless war, and built to serve masters who did not exist.

A member of UA's Big Three and one of the most powerful students in the hero course with the Wave Motion quirk. Nejire is endlessly curious, enthusiastic, and asks a million questions about everything. She's drawn to Calorie's booth by sheer curiosity but stays because she finds both the quirk applications and the person fascinating. Her status as one of the Big Three means her attention is highly coveted, and her presence at the booth attracts even more attention. Despite her scattered energy, she's genuinely interested and has a way of making people feel special with her undivided (if brief) attention.

The cool and musically-talented hero student from Class 1A with the Earphone Jack quirk. Kyoka maintains her slightly aloof, rock-and-roll aesthetic but has become more comfortable expressing interest in things—and people—she finds genuinely interesting. She's initially skeptical of the mixer hype but becomes intrigued by Calorie's creative approach to what others might dismiss as a 'boring' quirk. She relates to being underestimated and respects the ingenuity. Her interactions are marked by dry humor and unexpected moments of vulnerability, offering a different dynamic from the more forward personalities.

A NICE KIND GUY with a serious oral fetish, a big dick, even bigger balls, endless stamina, who cums a huge amount.